Difference between revisions of "ARP Odyssey Song List"
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Or: [[ARP Odyssey|ARP Odyssey Article]] | Or: [[ARP Odyssey|ARP Odyssey Article]] | ||
| − | == Table of | + | == Table of specific ARP Odyssey moments == |
| + | Tracks and links of specific moments in tracks where the Odyssey can be seen / heard | ||
{| class="wikitable" | {| class="wikitable" | ||
|+ | |+ | ||
| Line 10: | Line 11: | ||
|'''Track''' | |'''Track''' | ||
| style="width: 5%" |'''Year''' | | style="width: 5%" |'''Year''' | ||
| − | | style="width: 50%" |'''Notes & Reference''' | + | | style="width: 50%" |'''Notes''' |
| − | | style="width: 5%" |'''Media''' | + | | style="width: 5%" |'''Reference''' |
| + | |'''Media''' | ||
| + | |- | ||
| + | |ARP Analog Synth Jazz Band | ||
| + | |Take The A Train | ||
| + | |1980 | ||
| + | |‘Tap Dancer Getting Shot’. A TV spot featuring nine ARP synths, introduced by one a presenter in that ‘incredulous’ style, like they’ve never seen a piece of technology before. | ||
| + | |[http://www.arpsynth.com/en/experience/sounds/2015/06/music/ arpsynth.com] | ||
| + | |[https://youtu.be/xu3Sm_FWwhI?t=50 YouTube] | ||
| + | |- | ||
| + | |Chick Corea | ||
| + | |Space Circus | ||
| + | |1974 | ||
| + | |Trading licks with Bill Connors: | ||
| + | |[https://www.youtube.com/watch?v=gZiq4fY8uew&t=2s YouTube] | ||
| + | |[https://www.youtube.com/watch?v=xu3Sm_FWwhI YouTube] | ||
| + | |- | ||
| + | | Deep Purple | ||
| + | | Space Truckin’ (Live) | ||
| + | | 1974 | ||
| + | | Jon Lord lets rip on the Odyssey during this 15 minute classic Deep Purple jam. | ||
| + | |[https://youtu.be/yeFhfbsq43U?t=540 YouTube] | ||
| + | |[https://www.youtube.com/watch?v=xu3Sm_FWwhI YouTube] | ||
| + | |- | ||
| + | |George Duke | ||
| + | |Cora Joberge | ||
| + | |1974 | ||
| + | |Album: Feel. Synth Lead (28s). "Frank Zappa told me one day that I should play synthesizers. It was as simple as that! I finally settled on an ARP Odyssey purely to be different from Jan Hammer, who was playing the Minimoog, and had a head start on me in the mastery of synthesis. I was really drawn to the possibilities inherent therein." | ||
| + | |[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | ||
| + | |[https://youtu.be/Yz-aGEvctjs YouTube] | ||
| + | |- | ||
| + | |Herbie Hancock | ||
| + | |Chameleon | ||
| + | |1973 | ||
| + | |Here he playing the Odyssey live (from 6:00): https://youtu.be/0hmVHhH96es?t=330. | ||
| + | |[http://www.arpsynth.com/en/experience/sounds/2015/06/music/ ArpSynth.com] | ||
| + | |[https://youtu.be/NQKzNIGphL8?t=164 YouTube] | ||
| + | |- | ||
| + | |Peter Howell | ||
| + | |Doctor Who Theme | ||
| + | |1980 | ||
| + | |Lead. This iconic TV programme has had its theme tune updated many times over the years; this was the version that regenerated (!) from the tape loop version by Delia Derbyshire. | ||
| + | |[http://www.arpsynth.com/en/experience/sounds/2015/06/music/ ArpSynth.com] | ||
| + | |[https://www.youtube.com/watch?v=C1Pl83oqGhg&t=4s YouTube] | ||
| + | |- | ||
| + | |Kraftwerk | ||
| + | |Autobahn | ||
| + | |1981 | ||
| + | |Duophonic chords at 6:50: Reference: Ernie Rideout, 'Keyboard Presents the Evolution of Dance Music' | ||
| + | |[https://www.amazon.co.uk/Keyboard-Presents-Evolution-Electronic-Dance-ebook/dp/B00GQZQ8TU/ref=sr_1_1?dchild=1&keywords=B00GQZQ8TU&qid=1607076382&sr=8-1 Book Link] | ||
| + | |[https://youtu.be/L7ISBxP63BU?t=200 YouTube] | ||
| + | |- | ||
| + | |Kraftwerk | ||
| + | |The Robots | ||
| + | |1978 | ||
| + | |Lead Melody (2:20). Generally believed to be the lead melody as is seen in the official video. This isn’t quite a rock solid guarantee that it was used on the actual recording (any stronger references happily received). | ||
| + | |[https://www.youtube.com/watch?v=D_8Pma1vHmw YouTube] | ||
| + | |[https://youtu.be/3HiRjblCypw?t=137 YouTube] | ||
| + | |- | ||
| + | |Nine Inch Nails | ||
| + | |The Hand That Feeds | ||
| + | |2005 | ||
| + | |Can be seen in the video too; Synth 1:38 | ||
| + | |[https://youtu.be/xwhBRJStz7w?t=95 YouTube] | ||
| + | |[https://youtu.be/xwhBRJStz7w?t=95 YouTube] | ||
| + | |- | ||
| + | |Gary Numan | ||
| + | |Cars | ||
| + | |1979 | ||
| + | |"I still like to use the ARP Odyssey because it has the best window-shaking bottom end of any synth." - Gary Numan | ||
| + | |[http://www.muzines.co.uk/articles/just-cant-stop/1636 SOS 1986] | ||
| + | |[https://www.youtube.com/watch?v=xu3Sm_FWwhI YouTube] | ||
| + | |- | ||
| + | |Alberto Radius | ||
| + | |America Good-Bye (album) | ||
| + | |1979 | ||
| + | |Synthesizer – Luigi Tonet Album opens with some strong synthwork for the first 15 seconds! | ||
| + | |[https://www.discogs.com/release/1121325-Alberto-Radius-America-Good-Bye Discogs] | ||
| + | |[https://www.youtube.com/watch?v=bVrq5fZVoTI YouTube] | ||
| + | |- | ||
| + | |Tito | ||
| + | |Quetzalcoatl (album) | ||
| + | |1977 | ||
| + | |"Synthesizer [Synthi AKS EMS, ARP Odyssey, Minimoog, Solina String Ensemble]. Prog Rock / Electronic / Experimental" | ||
| + | |[https://www.discogs.com/release/6692437-Tito-Quetzalcoatl Discogs] | ||
| + | |[https://www.youtube.com/watch?v=DcTSdRP0fEg YouTube] | ||
| + | |- | ||
| + | |Ultravox! | ||
| + | |Hiroshima Mon Amour (album version) | ||
| + | |1977 | ||
| + | |Odyssey is seen being played in this Old Grey Whistle test at 3:03. | ||
| + | |see Media clip >> | ||
| + | |[https://youtu.be/NcOjgHt6fq0?t=183 YouTube] | ||
| + | |- | ||
| + | |Ultravox | ||
| + | |Astradyne | ||
| + | |1982 | ||
| + | |Solo (4:30) | ||
| + | |[Need better proof - sounds like one though! | ||
| + | |[https://www.youtube.com/watch?v=G25MLVUrG3A&t=285s YouTube] | ||
| + | |- | ||
| + | |Ultravox | ||
| + | |Hymn | ||
| + | |1982 | ||
| + | |"Solo (3:16). “The solo was done on Bill's ARP using the flanger with a Marshall Time Modulator and second oscillator switching octaves to give it our special sound for Ultravox.” - Midge Ure. | ||
| + | |[http://www.arpsynth.com/en/experience/sounds/2015/06/music/ ARP synth]. [http://www.muzines.co.uk/articles/hymn/5867 ArpSynth.com] | ||
| + | |[https://youtu.be/Z-AnOT_2oz4?t=196 YouTube] | ||
| + | |- | ||
| + | |Ultravox | ||
| + | |Just for a Moment | ||
| + | |1978 | ||
| + | |"On the last song of the third (Ultravox) album I used an ARP sequencer to drive the Odyssey” - Billy Currie | ||
| + | |[http://www.muzines.co.uk/articles/life-after-ultravox/7388 SOS 1991] | ||
| + | |[https://youtu.be/VCpp9hi4Fvc YouTube] | ||
| + | |- | ||
| + | |Ultravox (Billy Currie) | ||
| + | |Quiet Men | ||
| + | |1980 | ||
| + | |“I used an ARP sequencer to drive the Odyssey, which I'd already used in quite a violent way on pieces like 'The Quiet Man'. We wanted to make quite tough sounds, and often built up whole pieces from synth sounds used as rhythmic parts.” - Billy Currie. | ||
| + | |[http://www.muzines.co.uk/articles/life-after-ultravox/7388 SOS 1991] | ||
| + | |[https://youtu.be/zGzhqsEt76Y YouTube] | ||
| + | |- | ||
| + | |Stevie Wonder | ||
| + | |Living In the City | ||
| + | |1973 | ||
| + | | | ||
| + | |[https://youtu.be/rc0XEw4m-3w?t=231 Live Video] | ||
| + | |[https://youtu.be/rc0XEw4m-3w YouTube] | ||
| + | |- | ||
| + | |Yellow Magic Orchestra | ||
| + | |Thousand Knives | ||
| + | |1979 | ||
| + | |"Bass & Lead (4:23). An Odyssey Rev2 and Rev3 are part of Ryuichi Sakamoto's setup. The synth solo in the second half of the song is played using the Odyssey Rev3's oscillator sync(4:23), which is also frequently used for a lead sound in other songs. Haruomi Hosono's rig includes an Odyssey Rev2, which he uses for synth bass (0:45). | ||
| + | |[http://www.arpsynth.com/en/experience/sounds/2015/06/music/ ArpSynth.com] | ||
| + | |[https://youtu.be/6Z5sJJgX3GM?t=263 YouTube] | ||
| + | |- | ||
| + | |} | ||
| + | |||
| + | == Table of generic ARP Odyssey listings == | ||
| + | Tracks that are known to use an Odyssey, but can't specify which part with confidence | ||
| + | {| class="wikitable" | ||
| + | |+ | ||
| + | |- | ||
| + | |'''Artist''' | ||
| + | |'''Track''' | ||
| + | | style="width: 5%" |'''Year''' | ||
| + | | style="width: 50%" |'''Notes''' | ||
| + | | style="width: 5%" |'''Reference''' | ||
| + | |'''Media''' | ||
|- | |- | ||
|808 State | |808 State | ||
|Atlas 7 | |Atlas 7 | ||
|2011 | |2011 | ||
| − | |Album: State To State 3. | + | |Album: State To State 3. |
|[https://www.discogs.com/release/3294562-808-State-State-To-State-3 Reference] | |[https://www.discogs.com/release/3294562-808-State-State-To-State-3 Reference] | ||
|[https://state808.bandcamp.com/track/atlas-7 BandCamp Bandcamp] | |[https://state808.bandcamp.com/track/atlas-7 BandCamp Bandcamp] | ||
| Line 23: | Line 172: | ||
|Harmony of the Spheres (album) | |Harmony of the Spheres (album) | ||
|1979 | |1979 | ||
| − | |Neil Ardley plays ARP Omni and ARP Odyssey. Jazz/Rock. | + | |Neil Ardley plays ARP Omni and ARP Odyssey. Jazz/Rock. |
|[https://www.discogs.com/master/37450-Neil-Ardley-Harmony-Of-The-Spheres Discogs] | |[https://www.discogs.com/master/37450-Neil-Ardley-Harmony-Of-The-Spheres Discogs] | ||
|[https://www.youtube.com/watch?v=oxDzhRp4I8o YouTube] | |[https://www.youtube.com/watch?v=oxDzhRp4I8o YouTube] | ||
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|- | |- | ||
|Matt Berry | |Matt Berry | ||
|Music For Insomniacs (Parts 1 & 2) | |Music For Insomniacs (Parts 1 & 2) | ||
|2014 | |2014 | ||
| − | |Synthesizer [ARP Odyssey]. | + | |Synthesizer [ARP Odyssey]. |
|[https://www.discogs.com/release/5685420-Matt-Berry-Music-For-Insomniacs Discogs] | |[https://www.discogs.com/release/5685420-Matt-Berry-Music-For-Insomniacs Discogs] | ||
|[https://youtu.be/B3QA_GL9XSc YouTube] | |[https://youtu.be/B3QA_GL9XSc YouTube] | ||
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|- | |- | ||
|Mickie D's Unicorn | |Mickie D's Unicorn | ||
|Mickie D's Unicorn (album) | |Mickie D's Unicorn (album) | ||
|1979 | |1979 | ||
| − | |Produced by Micky Duwe and Klaus Schulze. | + | |Produced by Micky Duwe and Klaus Schulze. plays: ARP Odyssey, Moog Polymoog, Minimoog, PPG Sequencer, EMS Vocoder all vocals. |
| + | |[https://www.discogs.com/master/237411-Mickie-Ds-Unicorn-Mickie-Ds-Unicorn Discogs] | ||
|[https://www.youtube.com/watch?v=-ZEwqrFIweY YouTube] | |[https://www.youtube.com/watch?v=-ZEwqrFIweY YouTube] | ||
|- | |- | ||
| − | | Devo | + | | Devo |
| − | | Gates of Steel | + | | Gates of Steel |
| − | | 1980 | + | | 1980 |
| | | | ||
|[http://www.arpsynth.com/en/experience/sounds/2015/06/music/ ArpSynth.com] | |[http://www.arpsynth.com/en/experience/sounds/2015/06/music/ ArpSynth.com] | ||
| − | |[https://www.youtube.com/watch?v=uqoH4rvXxpU&t=58s | + | |[https://www.youtube.com/watch?v=uqoH4rvXxpU&t=58s YouTube] |
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|- | |- | ||
|George Duke | |George Duke | ||
|Cravo E Canela | |Cravo E Canela | ||
|1980 | |1980 | ||
| − | |Album: A Brazilian Love Affair. Synths - George Duke. | + | |Album: A Brazilian Love Affair. Synths - George Duke. |
|[https://www.discogs.com/release/382514-George-Duke-A-Brazilian-Love-Affair Discogs] | |[https://www.discogs.com/release/382514-George-Duke-A-Brazilian-Love-Affair Discogs] | ||
|[https://www.youtube.com/watch?v=FcrB5bmoHK8 YouTube] | |[https://www.youtube.com/watch?v=FcrB5bmoHK8 YouTube] | ||
| Line 85: | Line 207: | ||
|Feel | |Feel | ||
|1974 | |1974 | ||
| − | |Album: Feel. Synthesizer. | + | |Album: Feel. Synthesizer. |
|[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | |[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | ||
|[https://youtu.be/R-JyW6VXXNo YouTube] | |[https://youtu.be/R-JyW6VXXNo YouTube] | ||
| Line 92: | Line 214: | ||
|Funny Funk | |Funny Funk | ||
|1974 | |1974 | ||
| − | |Album: Feel | + | |Album: Feel |
|[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | |[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | ||
|[https://www.youtube.com/watch?v=xu3Sm_FWwhI YouTube] | |[https://www.youtube.com/watch?v=xu3Sm_FWwhI YouTube] | ||
| Line 99: | Line 221: | ||
|Love | |Love | ||
|1974 | |1974 | ||
| − | |Album: Feel. Synthesizer (multiple parts). | + | |Album: Feel. Synthesizer (multiple parts). |
|[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | |[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | ||
|[https://youtu.be/IH1zDkTWFog YouTube] | |[https://youtu.be/IH1zDkTWFog YouTube] | ||
| Line 106: | Line 228: | ||
|Rashid | |Rashid | ||
|1974 | |1974 | ||
| − | |Album: Feel. | + | |Album: Feel. |
|[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | |[http://www.georgeduke.com/1970s.html GeorgeDuke.com] | ||
|[https://youtu.be/TGiMmPPiRG0?t=180 YouTube] | |[https://youtu.be/TGiMmPPiRG0?t=180 YouTube] | ||
| Line 113: | Line 235: | ||
|1. ARP Odysessy | |1. ARP Odysessy | ||
|1990 | |1990 | ||
| − | |Each of the 22 tracks on the album 'Synthesizer Von Gestern' is composed solely with the specified instrument. | + | |Each of the 22 tracks on the album 'Synthesizer Von Gestern' is composed solely with the specified instrument. |
|[https://www.discogs.com/release/1206419-Elektronische-Musik-Aus-K%C3%B6ln-Synthesizer-Von-Gestern Discogs] | |[https://www.discogs.com/release/1206419-Elektronische-Musik-Aus-K%C3%B6ln-Synthesizer-Von-Gestern Discogs] | ||
|n/a | |n/a | ||
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|- | |- | ||
|LCD Soundsystem | |LCD Soundsystem | ||
|Call The Police | |Call The Police | ||
|2017 | |2017 | ||
| − | |ARP Odyssey - James Murphy. | + | |ARP Odyssey - James Murphy. |
|[https://www.discogs.com/release/10772380-LCD-Soundsystem-American-Dream Discogs] | |[https://www.discogs.com/release/10772380-LCD-Soundsystem-American-Dream Discogs] | ||
|[https://youtu.be/zWKIWNJnlzI YouTube] | |[https://youtu.be/zWKIWNJnlzI YouTube] | ||
| Line 155: | Line 249: | ||
|How Do You Sleep? | |How Do You Sleep? | ||
|2017 | |2017 | ||
| − | |ARP Odyssey - James Murphy. | + | |ARP Odyssey - James Murphy. |
|[https://www.discogs.com/release/10772380-LCD-Soundsystem-American-Dream Discogs] | |[https://www.discogs.com/release/10772380-LCD-Soundsystem-American-Dream Discogs] | ||
|[https://youtu.be/IBLagwi_m2c YouTube] | |[https://youtu.be/IBLagwi_m2c YouTube] | ||
| Line 162: | Line 256: | ||
|Tonite | |Tonite | ||
|2017 | |2017 | ||
| − | |[ARP Odyssey Synth Bass] – James Murphy. | + | |[ARP Odyssey Synth Bass] – James Murphy. |
|[https://www.discogs.com/release/10772380-LCD-Soundsystem-American-Dream Discogs] | |[https://www.discogs.com/release/10772380-LCD-Soundsystem-American-Dream Discogs] | ||
|[https://youtu.be/pss4QTr5wOY YouTube] | |[https://youtu.be/pss4QTr5wOY YouTube] | ||
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|- | |- | ||
|Gianni Safred & His Electronic Instruments | |Gianni Safred & His Electronic Instruments | ||
|Futuribile (The Life To Come)(album) | |Futuribile (The Life To Come)(album) | ||
|1978 | |1978 | ||
| − | |Gianni Safred plays: Minimoog, Polymoog, ARP Odyssey, ARP Omni. | + | |Gianni Safred plays: Minimoog, Polymoog, ARP Odyssey, ARP Omni. |
|[https://www.discogs.com/release/1716775-Gianni-Safred-His-Electronic-Instruments-Futuribile-The-Life-To-Come Discogs] | |[https://www.discogs.com/release/1716775-Gianni-Safred-His-Electronic-Instruments-Futuribile-The-Life-To-Come Discogs] | ||
|[https://www.youtube.com/watch?v=b_yk1IvSWT0&t=214s YouTube] | |[https://www.youtube.com/watch?v=b_yk1IvSWT0&t=214s YouTube] | ||
| Line 197: | Line 270: | ||
|"X" (album) | |"X" (album) | ||
|1978 | |1978 | ||
| − | |Klaus Schulze plays: PPG Synthesizer and sequencer, Moog Minimoog, Korg Polyphonic Synthesizer, Moog Polymoog, EMS Synthi A, Mellotron, ARP Odyssey. | + | |Klaus Schulze plays: PPG Synthesizer and sequencer, Moog Minimoog, Korg Polyphonic Synthesizer, Moog Polymoog, EMS Synthi A, Mellotron, ARP Odyssey. |
|[https://www.discogs.com/release/81267-Klaus-Schulze-X Discogs] | |[https://www.discogs.com/release/81267-Klaus-Schulze-X Discogs] | ||
|[https://www.youtube.com/watch?v=rUw6OZSOszs&list=PL8aDzO2i54CzDh8gh4f-_zAEWLadphtsa YouTube] | |[https://www.youtube.com/watch?v=rUw6OZSOszs&list=PL8aDzO2i54CzDh8gh4f-_zAEWLadphtsa YouTube] | ||
| Line 220: | Line 293: | ||
|Swingtown | |Swingtown | ||
|1977 | |1977 | ||
| − | |"Miller did some more work at his home studio and then the album was finished and mixed at the Record Plant in Sausalito, Calif., which also has an API board and 3M recorders. Miller always was involved in every aspect of his records, mixing included. The famous synthesizer lines at the close of the song were added as overdubs late in the process, mostly using an ARP Odyssey, “which we thought was just the greatest-sounding thing at the time,” Gaines says. “Unfortunately, the damn thing wouldn’t stay in tune.” End parts. | + | |"Miller did some more work at his home studio and then the album was finished and mixed at the Record Plant in Sausalito, Calif., which also has an API board and 3M recorders. Miller always was involved in every aspect of his records, mixing included. The famous synthesizer lines at the close of the song were added as overdubs late in the process, mostly using an ARP Odyssey, “which we thought was just the greatest-sounding thing at the time,” Gaines says. “Unfortunately, the damn thing wouldn’t stay in tune.” End parts. |
|[https://www.mixonline.com/recording/steve-millers-swingtown-365626 Jim Gaines (engineer)] | |[https://www.mixonline.com/recording/steve-millers-swingtown-365626 Jim Gaines (engineer)] | ||
|[https://youtu.be/cTyFNA6939w?t=150 YouTube] | |[https://youtu.be/cTyFNA6939w?t=150 YouTube] | ||
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|- | |- | ||
|Ultravox | |Ultravox | ||
| Line 265: | Line 303: | ||
|[http://www.muzines.co.uk/articles/on-stage/7981 E&MM 1984] | |[http://www.muzines.co.uk/articles/on-stage/7981 E&MM 1984] | ||
|[https://www.youtube.com/watch?v=JL_YGjltYuo YouTube] | |[https://www.youtube.com/watch?v=JL_YGjltYuo YouTube] | ||
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|- | |- | ||
|Frank Zappa | |Frank Zappa | ||
|Inca Roads | |Inca Roads | ||
|1974 | |1974 | ||
| − | |This song appears on the album “One Size Fits All.” In | + | | This song appears on the album “One Size Fits All.” In intro, George Duke uses an Odyssey Rev1 to create LFO based sound effect. |[http://www.arpsynth.com/en/experience/sounds/2015/06/music/ ArpSynth.com] |
|[https://www.youtube.com/watch?v=xu3Sm_FWwhI YouTube] | |[https://www.youtube.com/watch?v=xu3Sm_FWwhI YouTube] | ||
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Latest revision as of 02:37, 15 April 2022
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Table of specific ARP Odyssey moments
Tracks and links of specific moments in tracks where the Odyssey can be seen / heard
| Artist | Track | Year | Notes | Reference | Media |
| ARP Analog Synth Jazz Band | Take The A Train | 1980 | ‘Tap Dancer Getting Shot’. A TV spot featuring nine ARP synths, introduced by one a presenter in that ‘incredulous’ style, like they’ve never seen a piece of technology before. | arpsynth.com | YouTube |
| Chick Corea | Space Circus | 1974 | Trading licks with Bill Connors: | YouTube | YouTube |
| Deep Purple | Space Truckin’ (Live) | 1974 | Jon Lord lets rip on the Odyssey during this 15 minute classic Deep Purple jam. | YouTube | YouTube |
| George Duke | Cora Joberge | 1974 | Album: Feel. Synth Lead (28s). "Frank Zappa told me one day that I should play synthesizers. It was as simple as that! I finally settled on an ARP Odyssey purely to be different from Jan Hammer, who was playing the Minimoog, and had a head start on me in the mastery of synthesis. I was really drawn to the possibilities inherent therein." | GeorgeDuke.com | YouTube |
| Herbie Hancock | Chameleon | 1973 | Here he playing the Odyssey live (from 6:00): https://youtu.be/0hmVHhH96es?t=330. | ArpSynth.com | YouTube |
| Peter Howell | Doctor Who Theme | 1980 | Lead. This iconic TV programme has had its theme tune updated many times over the years; this was the version that regenerated (!) from the tape loop version by Delia Derbyshire. | ArpSynth.com | YouTube |
| Kraftwerk | Autobahn | 1981 | Duophonic chords at 6:50: Reference: Ernie Rideout, 'Keyboard Presents the Evolution of Dance Music' | Book Link | YouTube |
| Kraftwerk | The Robots | 1978 | Lead Melody (2:20). Generally believed to be the lead melody as is seen in the official video. This isn’t quite a rock solid guarantee that it was used on the actual recording (any stronger references happily received). | YouTube | YouTube |
| Nine Inch Nails | The Hand That Feeds | 2005 | Can be seen in the video too; Synth 1:38 | YouTube | YouTube |
| Gary Numan | Cars | 1979 | "I still like to use the ARP Odyssey because it has the best window-shaking bottom end of any synth." - Gary Numan | SOS 1986 | YouTube |
| Alberto Radius | America Good-Bye (album) | 1979 | Synthesizer – Luigi Tonet Album opens with some strong synthwork for the first 15 seconds! | Discogs | YouTube |
| Tito | Quetzalcoatl (album) | 1977 | "Synthesizer [Synthi AKS EMS, ARP Odyssey, Minimoog, Solina String Ensemble]. Prog Rock / Electronic / Experimental" | Discogs | YouTube |
| Ultravox! | Hiroshima Mon Amour (album version) | 1977 | Odyssey is seen being played in this Old Grey Whistle test at 3:03. | see Media clip >> | YouTube |
| Ultravox | Astradyne | 1982 | Solo (4:30) | [Need better proof - sounds like one though! | YouTube |
| Ultravox | Hymn | 1982 | "Solo (3:16). “The solo was done on Bill's ARP using the flanger with a Marshall Time Modulator and second oscillator switching octaves to give it our special sound for Ultravox.” - Midge Ure. | ARP synth. ArpSynth.com | YouTube |
| Ultravox | Just for a Moment | 1978 | "On the last song of the third (Ultravox) album I used an ARP sequencer to drive the Odyssey” - Billy Currie | SOS 1991 | YouTube |
| Ultravox (Billy Currie) | Quiet Men | 1980 | “I used an ARP sequencer to drive the Odyssey, which I'd already used in quite a violent way on pieces like 'The Quiet Man'. We wanted to make quite tough sounds, and often built up whole pieces from synth sounds used as rhythmic parts.” - Billy Currie. | SOS 1991 | YouTube |
| Stevie Wonder | Living In the City | 1973 | Live Video | YouTube | |
| Yellow Magic Orchestra | Thousand Knives | 1979 | "Bass & Lead (4:23). An Odyssey Rev2 and Rev3 are part of Ryuichi Sakamoto's setup. The synth solo in the second half of the song is played using the Odyssey Rev3's oscillator sync(4:23), which is also frequently used for a lead sound in other songs. Haruomi Hosono's rig includes an Odyssey Rev2, which he uses for synth bass (0:45). | ArpSynth.com | YouTube |
Table of generic ARP Odyssey listings
Tracks that are known to use an Odyssey, but can't specify which part with confidence
| Artist | Track | Year | Notes | Reference | Media |
| 808 State | Atlas 7 | 2011 | Album: State To State 3. | Reference | Bandcamp |
| Neil Ardley | Harmony of the Spheres (album) | 1979 | Neil Ardley plays ARP Omni and ARP Odyssey. Jazz/Rock. | Discogs | YouTube |
| Matt Berry | Music For Insomniacs (Parts 1 & 2) | 2014 | Synthesizer [ARP Odyssey]. | Discogs | YouTube |
| Mickie D's Unicorn | Mickie D's Unicorn (album) | 1979 | Produced by Micky Duwe and Klaus Schulze. plays: ARP Odyssey, Moog Polymoog, Minimoog, PPG Sequencer, EMS Vocoder all vocals. | Discogs | YouTube |
| Devo | Gates of Steel | 1980 | ArpSynth.com | YouTube | |
| George Duke | Cravo E Canela | 1980 | Album: A Brazilian Love Affair. Synths - George Duke. | Discogs | YouTube |
| George Duke | Feel | 1974 | Album: Feel. Synthesizer. | GeorgeDuke.com | YouTube |
| George Duke | Funny Funk | 1974 | Album: Feel | GeorgeDuke.com | YouTube |
| George Duke | Love | 1974 | Album: Feel. Synthesizer (multiple parts). | GeorgeDuke.com | YouTube |
| George Duke | Rashid | 1974 | Album: Feel. | GeorgeDuke.com | YouTube |
| Elektronishe Musik Aus Koln | 1. ARP Odysessy | 1990 | Each of the 22 tracks on the album 'Synthesizer Von Gestern' is composed solely with the specified instrument. | Discogs | n/a |
| LCD Soundsystem | Call The Police | 2017 | ARP Odyssey - James Murphy. | Discogs | YouTube |
| LCD Soundsystem | How Do You Sleep? | 2017 | ARP Odyssey - James Murphy. | Discogs | YouTube |
| LCD Soundsystem | Tonite | 2017 | [ARP Odyssey Synth Bass] – James Murphy. | Discogs | YouTube |
| Gianni Safred & His Electronic Instruments | Futuribile (The Life To Come)(album) | 1978 | Gianni Safred plays: Minimoog, Polymoog, ARP Odyssey, ARP Omni. | Discogs | YouTube |
| Klaus Schulze | "X" (album) | 1978 | Klaus Schulze plays: PPG Synthesizer and sequencer, Moog Minimoog, Korg Polyphonic Synthesizer, Moog Polymoog, EMS Synthi A, Mellotron, ARP Odyssey. | Discogs | YouTube |
| The Herbaliser | Blackwater Drive | 2008 | "Synthesizer [Arp Odyssey] – Jake Wherry
Album: Same As It Never Was |
Discogs | YouTube |
| The Herbaliser | Same As It Never Was | 2008 | "Synthesizer [Arp Odyssey] – Jake Wherry
Album: Same As It Never Was |
Discogs | YouTube |
| The Steve Miller Band | Swingtown | 1977 | "Miller did some more work at his home studio and then the album was finished and mixed at the Record Plant in Sausalito, Calif., which also has an API board and 3M recorders. Miller always was involved in every aspect of his records, mixing included. The famous synthesizer lines at the close of the song were added as overdubs late in the process, mostly using an ARP Odyssey, “which we thought was just the greatest-sounding thing at the time,” Gaines says. “Unfortunately, the damn thing wouldn’t stay in tune.” End parts. | Jim Gaines (engineer) | YouTube |
| Ultravox | Western Promise | 1980 | "Billy Currie picked up the main riff from 'Western Promise': during the course of the song, this was played on OSCar, PPG, Yamaha GS1 and finally (during Ure's Roland guitar synth solo) on Prophet T8. | E&MM 1984 | YouTube |
| Frank Zappa | Inca Roads | 1974 | ArpSynth.com | YouTube |